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Ken Smith 6

Played this one at NAMM a few years back and fell in love. I've been through a lot of 6 strings in the last few years (some really, really nice ones), but none of them ever completely got me. This one got me from the first note. It has changed some of what I thought were well established preferences about string spacing, neck-through, etc... Bottom line is, I played it, and loved it. It has a distinct, clear voice with an even response throughout the range. Every note jumps out of the bass, and I rarely even need to use the eq. I set it flat, most of the time in series mode.